Friday, August 26, 2005

Stay hungry. Stay Foolish (PT2)

2005 撟湧����潸�����������鞈�閮���X平���銵瑕�������伐��
�����脖號雿�憭批飛���甇伐�����鈭怎�質健��喳��鈭箇�拍��摨批�喲��嚗�

��������餉�血�瑁����� Steve Jobs ��� 2005 撟� 6 ��� 12 ��亙�������函�������脖號雿�憭批飛��X平��貊旨銝���潸”瞍�雓�嚗����閮游�典�渲��鈭����雿���X平���閬����敺������⊥�����嚗�銝�閬�瘚芾祥�����賬��

銝������潔��撟單����� Macworld ��� WWDC 銝����撟賡��憸冽�潘�� 6 ��� 12 ��亦�������湔��雓���批捆��������渲�����頨怎忽��X平鋡���� Jobs ��典�唬��憡�憡����靘�嚗������嗉絲隞���嗅僑瘙�摮貊�����蝔�嚗�隞亙��隞���箔��暻潭捱摰�頛�摮詨�刻�芸振頠�摨怨ㄐ��Z都��餉�佗��銋���單�澆��靘���a����������������啗����������質健��喳��嚗�������餈������������券狩���������韏唬����剔�����鈭����銝虫��曌���萄僑頛�鈭箏����潮�W����急��嚗�蝛�璆菜����⊥�����������敺� Jobs 隞亙��撟港�������芣����������������乓��Stay hungry. Stay foolish.���嚗�瘙���亥�仿ㄑ嚗����敹���交��嚗����憭批振��勗�����

憭�撟港��嚗� Jobs �����������餉�虫����������拇�冽��隞�嚗���臭����游��鈭箏�亙�������質健��喳��嚗���� Jobs ��冽��甈⊥�啁�W����潸”��������唬��銝圈��嚗���港誘��典�渲����曉����臭誑敺�嚗�擳�������頞喋�������啗�������餉�血��������撟曉僑嚗���曄��蝡���典楊瘚芷��撜堆��銋���暹�潸健摨�雿�餈渡�� Jobs 撣園����������澆�����嚗�隞� Mac OS X ��� iMac ��� PowerBook ��� iBook ��� iPod ��衣��撘����憸券邢������撠�頞典�Y��頠�蝖祇��������嚗�銝�雿�霈���������餉�阡�����撣���渡�阡��嚗���湔�臬陸餈渲楝頧����擃�瞏桀末��脯�� Jobs 憪�撖行�舐�嗡誨��質健蝘������砍�訾葉�����刻��銋������喳��嚗�瘛勗�琿�������颱����������菜��������鋡����鈭箇�押��

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��亙�����鞈潛雯嚗�餈�������Stay hungry. Stay foolish.���甇支�������亦��暺���淹-Shirt.
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Wednesday, August 24, 2005

The Interview with "Little Brother"


HipHopGame.com hooked up with Phonte, Pooh and 9th Wonder for the only Little Brother interview you'll need to read.

>>[Read More]<<

Stay Hungry. Stay Foolish


Steve Jobs 撠� 2005 撟游�脖號雿���X平���瞍�雓�


隞乩����航�������餉�血�砍�貉��Pixar�����怨ˊ雿�摰文�瑁����惹teve Jobs
���2005撟游�剜��12��亙����券����脖號雿�憭批飛��X平������瞍�雓���批捆���
This is the text of the Commencement address by Steve Jobs,
CEO of Apple Computer and of Pixar Animation Studios, delivered on June
12, 2005.

隞�憭抬�����璁桀兢靘���啣��雿�敺�銝����銝����憟賜��摮豢�∩��銝���X平�����X平��貊旨銝�������敺�靘�瘝�敺�憭批飛��X平���隤芸祕閰梧�������舀����W之摮貊�X平���餈����銝���颯��
Thank you. I'm honored to be with you today for your commencement from one of the finest universities in the world. Truth be told, I never graduated from college and this is the closest I've ever gotten to a college graduation.

隞�憭抬�������芾牧銝�������鈭�嚗�銝�隢�憭折�����嚗�銝�������鈭�撠勗末���
Today I want to tell you three stories from my life. That's it. No big deal. Just three stories.

蝚砌��������鈭�嚗���舫����潔犖���銝剔��暺�暺�皛湔輕���暻潔葡�����其��韏瑯��
The first story is about connecting the dots.

�����券��敺瑕飛��g��Reed college嚗�敺�鈭���剖�����撠梯齒隡�摮訾�������唳�����摮詨��嚗�銝���曹��摮訾�������怠�����������暻潘�������箔��暻潔��摮賂�����敺�敺������箇�����雓�韏瑯��������閬芰��瘥�閬芰�嗆����臬�����蝛嗥��嚗�撟渲����芸��慦賢直嚗�憟寞捱摰�霈���乩犖��園��������憟孵撥���閬箏�����閰脰�����憭批飛��X平���鈭箸�園�����嚗����隞交����箇�����嚗�憟孵停皞����霈����鋡思��撠�敺�撣怠井憍行�園�����雿���舫��撠�憭怠氖��唬�����敺�銝���餃�����鈭�嚗�隞������單�園��憟喳酋������隞亙�函��敺���園�������桐�����銝�撠�憭怠氖嚗�������擗���嗆��嚗���其��憭拙��憭�鋆⊥�亙�唬�������餉店嚗����隞����������銝�������憭���箇�������瑕酋嚗�雿����閬�隤�擗�隞����嚗�������隞����������蝑���胯����嗥�嗉��������敺�靘�嚗����������瘥���潛�橘�������曉�函��慦賢直敺�靘�瘝����憭批飛��X平嚗������曉�函����貊�詨�����擃�銝剔�X平銋�瘝�������憟寞��蝯���刻��擗����隞嗡��������敺�蝪賢�������游�啣嗾������敺�嚗�������擗���嗆��������撠�靘�銝�摰����霈����銝�憭批飛嚗�憟寞��頠�������摨艾��

I dropped out of Reed College after the first six months but then stayed around as a drop-in for another eighteen months or so before I really quit. So why did I drop out? It started before I was born. My biological mother was a young, unwed graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife, except that when I popped out, they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking, "We've got an unexpected baby boy. Do you want him?" They said, "Of course." My biological mother found out later that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would go to college.

���銝�撟游��嚗����銝�憭批飛鈭����雿���舐�嗆�������∠�仿�訾��銝����摮貉祥撟曆��頝���脖號雿�銝�璅�鞎渡��憭批飛嚗�������撌乩犖���蝝������嗆��������蝛������質�勗�冽�����摮貉祥銝������剖�����敺�嚗�������銝���箏�賊�������貊����孵�潔����具�����������嚗����銝���仿�����頛拙��閬�撟嫣��暻潘��銋�銝���仿����詨之摮貉�賢��������隞�暻澆鼠��抬�����銝������箔����賊�������賂����勗��鈭������嗆�����頛拙�����������蝛����嚗����隞交��瘙箏��隡�摮賂����訾縑��孵�唳����剛�芰�嗥�氬����嗆��������瘙箏�����靘���貊�嗅�舀��嚗���舀�舐�曉�函��靘�嚗������舀�����頛拙�����������憟賜��瘙箏��銋�銝������嗆��隡�摮訾��敺�嚗�������銋�銝���其�����瘝����頞����敹�靽株玨嚗������������踹�餉�賡��鈭����������頞����隤脯��

This was the start in my life. And seventeen years later, I did go to college, but I naïvely chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life, and no idea of how college was going to help me figure it out, and here I was, spending all the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back, it was one of the best decisions I ever made. The minute I dropped out, I could stop taking the required classes that didn't interest me and begin dropping in on the ones that looked far more interesting.

���銝�暺�銋�銝�瘚芣憤������瘝����摰輯��嚗����隞交����∪�典��鈭箏振鋆∠����唳�蹂��嚗������������嗅�舀��蝛箇�����鈭����隞日��鞎餉眺������嚗�瘥����������憭拇��銝�敺�韏唬����拍��頝舐�����憭批�������桀�餃�啣漲������ Hare Krishna 蟡�撱�������憟賣�����������甇?are Krishna蟡�撱����憟賣�����餈賢��������憟賢�������渲死嚗�������擏�頞喟��憭折�典��鈭���抬��敺�靘����靘���賣��鈭���∪�嫣��撖嗚��

It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms. I returned Coke bottles for the five-cent deposits to buy food with, and I would walk the seven miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example.

���靘�靘�隤迎����嗆�����敺瑕飛��X�����憭扳����臬�典�����憟賜����豢�����撠������冽�游����∪����抒��瘥�銝�撘菜絲��曹��嚗�瘥������賢�����璅�蝐支��嚗���賣�舐��暻�������撖怠����������箸��隡�摮訾��嚗���臭誑銝���扳迤撣賊�貉玨蝔�摨�靘�嚗����隞交��頝���餃飛��豢��������摮訾��serif ���san serif 摮�擃�嚗�摮詨�啣�其�����摮�瘥�蝯�������霈���游�����頝�嚗�摮詨�唳暑�����啣�瑕��憭抒����唳�嫘����豢�����蝢�憟賬��甇瑕�脫��������銵������舐��摮豢����⊥�����������嚗����閬箏�����敺�餈瑚犖���

Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer was beautifully hand-calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and sans-serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.

���瘝����������摮貊�����鈭���梯正��賢�冽�����瘣颱葉韏瑚��隞�暻澆祕���雿���剁��銝�������撟游��嚗���嗆����刻身閮�蝚砌����圈漸���憛����嚗������唾絲鈭���嗆�����摮貊����梯正嚗����隞交�����鈭���梯正��質身閮���脖��暻仿��憛�鋆∴�������舐洵銝���啗�賢�啣�瑕�箸��鈭格�梯正�����餉�艾��

None of this had even a hope of any practical application in my life. But ten years later when we were designing the first Macintosh computer, it all came back to me, and we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts, and since Windows just copied the Mac, it's likely that no personal computer would have them.

憒�������瘝�瘝�皞箸�潮��璅�銝����隤脰ㄐ嚗�暻仿��憛���航�賢停銝�������憭����摮�擃�頝�霈����頝�摮�擃�鈭������������斡indows���镼脖��暻仿��憛����雿輻�冽�孵��嚗�憒������嗅僑���瘝����璅����嚗�憭扳��銝����銝�������������鈭粹�餉�阡�賭�����������鈭���梯正嚗���唬����箇�曉�冽����������啁��瞍�鈭桃��摮�靘�鈭����

If I had never dropped out, I would have never dropped in on that calligraphy class and personals computers might not have the wonderful typography that they do.

��嗥�塚����嗆�������典之摮貉ㄐ���嚗�銝���航�賣�����鈭�暺�暺�皛湔輕������銝脣�其��韏瘀��雿���舫����典��撟游�����憿改��撠梢*敺����撣豢��璆����������隤芯��甈∴��雿�銝���賡��������暺�暺�皛湔輕銝脣�其��韏瘀����舀����芯�����憿扳��嚗�雿������������賡��鈭�暺�暺�皛湔輕��臬��雿�銝脣�其��韏瑞�����

Of course it was impossible to connect the dots looking forward when I was in college, but it was very, very clear looking backwards 10 years later. Again, you can't connect the dots looking forward. You can only connect them looking backwards, so you have to trust that the dots will somehow connect in your future.

���隞乩��敺���訾縑嚗�雿���曉�冽��擃���������梯正嚗�撠�靘�憭�撠���������亙�其��憛����雿�敺�靽∩遙��������梯正嚗���渲死銋�憟踝����賡��銋�憟踝�������賭��憟踝��������璆剖��������蝔桐��瘜�敺�靘�瘝�霈����憭望��嚗�銋�霈�������鈭箇����游��銝����韏瑚�����

You have to trust in something--your gut, destiny, life, karma, whatever--because believing that the dots will connect down the road will give you the confidence to follow your heart, even when it leads you off the well- worn path, and that will make all the difference.

������蝚砌��������鈭�嚗�������������憭勗�颯��

My second story is about love and loss.

���憟賡��嚗�撟渲�����撠梁�潛�曇�芸楛������隞�暻潔��������鈭����甇脫��嚗�頝�Steve Wozniak��冽����詨直���頠�摨怨ㄐ���憪�鈭���������餉�衣��鈭�璆准����������澆�賢極雿�嚗���������餉�血�典��撟湧��敺�銝����頠�摨怨ㄐ�����拙��撠�憭亙����游�����鈭�銝�摰嗅�∪極頞����������鈭箝��撣���嫣��������蝢���������砍�賂����券��銋����銝�撟湔�典�箔�����������璉����雿����嚗�暻仿��憛�嚗������������������乩犖������蝚砌��������撟湧�哨����嗅��鋡怎��擳琿�����

I was lucky. I found what I loved to do early in life. Woz and I started Apple in my parents' garage when I was twenty. We worked hard and in ten years, Apple had grown from just the two of us in a garage into a $2 billion company with over 4,000 employees. We'd just released our finest creation, the Macintosh, a year earlier, and I'd just turned thirty, and then I got fired.

閬����暻潸����芸楛��菔齒�����砍�貊����芸楛擳琿��嚗�

How can you get fired from a company you started?

憟賢�改����嗉�������餉�行����瑕��嚗����隢�鈭�銝�������隞亦�箔����函�������砍�訾��敺�������撟寧����V��靘�嚗�隞���券�剖嗾撟港��蝣箏祕撟孵��銝���胯����舀�舀�����撠���芯�����憿���臭�����嚗����敺���芸末������������嚗����鈭����蝡���其��������嚗����鈭����擳琿��嚗���祇��������隢�鈭���箏�颯����曄����舀����游�����撟渡��瘣駁��敹������梯正銝�閬�鈭�嚗�隞斗��銝���交����芥�����撟曉�����嚗����撖血�其����仿��閬�撟嫣��暻澆末������閬箏�����隞支��璆剔��������頛拙��憭望��嚗�������隞����鈭斤策��������亙��璉�撘�銝�鈭�������閬�鈭���菔齒HP���David Packard頝���菔齒Intel���Bob Noyce嚗�頝�隞����隤芣��敺���望�����鈭���������詨��敺���脣拿鈭����������鈭���祉�曄�����撣貉����Y內蝭�嚗���������單�唾����a����質健���雿���舀撓瞍貊��嚗������潛�橘����������臬��������������������鈭����嚗���刻����������亙��蝬�甇瑞��鈭�隞嗆�����蝯脫神��寡��������������鈭�������鋡怠�血��鈭�嚗���舀�舀�������舀��������鈭�鈭����嚗����隞交��瘙箏��敺���凋��������

Well, as Apple grew, we hired someone who I thought was very talented to run the company with me, and for the first year or so, things went well. But then our visions of the future began to diverge, and eventually we had a falling out. When we did, our board of directors sided with him, and so at thirty, I was out, and very publicly out. What had been the focus of my entire adult life was gone, and it was devastating. I really didn't know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down, that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure and I even thought about running away from the Valley. But something slowly began to dawn on me. I still loved what I did. The turn of events at Apple had not changed that one bit. I'd been rejected but I was still in love. And so I decided to start over.

��嗆�����瘝���潛�橘��雿���舐�曉�函��靘�嚗�鋡怨�������餉�阡����歹����舀�����蝬�甇琿�����憟賜��鈭����������������瘝����鋡怠����凋��������頛�擛�������隞�嚗�瘥�隞嗡�������賭�����暻潛Ⅱ摰�嚗�霈������芰�梢�脣�仿��頛拙����������菜�����撟港誨�����乩��靘�鈭�撟湛��������鈭�銝�摰嗅�怠�� NeXT�����砍�賂��������銝�摰嗅�怠��Pixar�����砍�賂��銋�頝�敺�靘�������憍�隢�韏瑚�����������Pixar��亥��鋆賭��鈭�銝����銝�蝚砌����典�券�餉�血����恍�餃蔣嚗���拙�瑞蜇�����∴����曉�冽�臭�����銝������������������怨ˊ雿���砍�詻��

I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods in my life. During the next five years I started a company named NeXT, another company named Pixar and fell in love with an amazing woman who would become my wife. Pixar went on to create the world's first computer-animated feature film, "Toy Story," and is now the most successful animation studio in the world.

��嗅��嚗���������餉�西眺銝�鈭�NeXT嚗���������唬��������嚗���������沐eXT��澆��������銵����鈭���������餉�血��靘�敺抵�������詨��������銋����鈭����蝢�憒����摰嗅滬���

In a remarkable turn of events, Apple bought NeXT and I returned to Apple and the technology we developed at NeXT is at the heart of Apple's current renaissance, and Lorene and I have a wonderful family together.

���敺�蝣箏��嚗�憒������嗅僑��������餉�行�������斗��嚗�撠曹�������潛�����鈭�鈭����������撣���亙����血��嚗���舀�舀����唾�������餉�阡��������鈭粹��閬����撣���乓�����������嚗�鈭箇�������函����剜��雿������准��銝�閬���芸仃靽∪��������蝣箔縑嚗�������������������鈭����嚗����撠望�舫��鈭�撟港��霈����蝜潛��韏唬����餌����臭�������晞��雿�敺���曉�箔��������嚗�撌乩��銝���臬��甇歹��撠����鈭箔����臬��甇扎��

I'm pretty sure none of this would have happened if I hadn't been fired from Apple. It was awful-tasting medicine but I guess the patient needed it. Sometimes life's going to hit you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did. You've got to find what you love, and that is as true for work as it is for your lovers.

雿����撌乩��撠�憛急遛雿����銝�憭批��鈭箇��嚗���臭����脣�����甇�皛輯雲�����寞��撠望�臬��雿���訾縑��臬��憭抒��撌乩��嚗������臭��������憭批極雿������寞����舀��雿����������鈭����憒����雿����瘝���曉�圈��鈭�鈭�嚗�蝜潛����橘����亙����������∩����典����典��嚗�雿���仿��雿�銝�摰������曉�啜�����銝�嚗�憒����隞颱�����憭抒�����靽�嚗�鈭������芣����刻�����������靘����憟賬��
���隞伐����其����曉�唬�����嚗�蝜潛����橘����亙��������

Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work, and the only way to do great work is to love what you do. If you haven't found it yet, keep looking, and don't settle. As with all matters of the heart, you'll know when you find it, and like any great relationship it just gets better and better as the years roll on. So keep looking. Don't settle.

������蝚砌��������鈭�嚗������潭香鈭∼��

My third story is about death.

��嗆�����銝�甇脫��嚗����霈���唬�������潸��嚗�憟賢����胯�����瘥�銝�憭拚�賜�嗆�������賭葉������敺�銝�憭抬��雿�撠望��頛�擛���芸�具��������撠����敶梢�踵楛���嚗���券�����33撟渲ㄐ嚗����瘥�憭拇�拐����賣����折�∪��嚗���芸��嚗����憒����隞�憭拇�舀迨������敺�銝���伐�����隞�憭抵��撟嫣��隞�暻潘�����瘥���嗆�����蝥�憭芸��憭拚�賢����唬��������瘝�鈭����������蝑�獢����嚗����撠梁�仿�����敹����������霈���拐�������������芸楛敹急香鈭�嚗���舀����其犖���銝凋�����憭扳捱摰����嚗������券��������閬����撌亙�瑯�������箏嗾銋�瘥�隞嗡��嚗�������憭����������������������霅賬��������撠���啁�����憭望����������潘����券�W��甇颱滿���嚗���賣��憭曹��嚗���芣��������閬������梯正���������銝������������芸楛敹急香鈭�嚗���舀�������仿�踹�������亥�芸楛�����梯正閬�憭勗�颱�������琿�梯ㄐ���憟賜����寞�����

When I was 17 I read a quote that went something like "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself, "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "no" for too many days in a row, I know I need to change something. Remembering that I'll be dead soon is the most important thing I've ever encountered to help me make the big choices in life, because almost everything--all external expectations, all pride, all fear of embarrassment or failure--these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose.

鈭箇��銝�撣嗡��嚗�甇颱��撣嗅�鳴��瘝�隞�暻潮�����銝����敹������箝��

You are already naked. There is no reason not to follow your heart.

銝�撟游��嚗����鋡怨那��瑕�箇�������������冽�拐��銝�暺����雿���瑕惜������嚗���刻�啗��皜�璆���箇�曆�������怎�歹����������啗����臭��暻潮�賭����仿�������怎�����閮湔��嚗����撟曆����臭誑蝣箏����臭��蝔桐��瘝颱�����嚗����憭扳��瘣颱����唬����啣�剖�����鈭������怎��撱箄降������摰塚��憟賢末頝�閬芯犖������銝����嚗������舫�怎��撠���函�����鈭箇��璅�皞�撱箄降������隞�銵其��敺�閰西����典嗾��������扳��雿�撠�靘����撟湔�唾��撠�摮抵�����閰梯��摰�������隞�銵其��敺����瘥�隞嗡��������摰�嚗�摰嗡犖��������⊿��頛�擛�������隞�銵其��敺�頝�鈭箄牧���閬�鈭����

About a year ago, I was diagnosed with cancer. I had a scan at 7:30 in the morning and it clearly showed a tumor on my pancreas. I didn't even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctors' code for "prepare to die." It means to try and tell your kids everything you thought you'd have the next ten years to tell them, in just a few months. It means to make sure that everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes.

�����游予��唾��������閮箸�瑞�����嚗����憭拇��銝����鈭�銝�甈∪�����嚗�敺������其撓��乩�������扯����∴��敺������脰�詨��嚗����鈭���寥����脰�啗��嚗����鈭�銝�鈭���怎�斤敦�����箔�����������鈭���桅�����嚗�銝����鈭箔��嚗�雿���舀�����憍���典�氬��憟孵��靘�頝����隤迎����園�怎�������券*敺桅�∠��������鈭�蝝啗��敺�嚗�隞������賢�凋��嚗������粹����舫��撣詨��閬����銝�蝔株�啗�����嚗���臭誑��冽��銵�瘝餃末������隞交����亙��鈭����銵�嚗�摨瑕儔鈭����

I lived with that diagnosis all day. Later that evening I had a biopsy where they stuck an endoscope down my throat, through my stomach into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated but my wife, who was there, told me that when they viewed the cells under a microscope, the doctor started crying, because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and, thankfully, I am fine now.

�����舀�������亥��甇颱滿���������嚗����撣����������蝜潛����舀�芯��撟曉��撟游�扳����亥�����銝�甈∼��蝬�甇瑟迨鈭�敺�嚗������臭誑瘥�銋����甇颱滿��芣�舀�質情璁�敹菜��閬���渲�臬�����閮港�����銝���a��鈭�嚗�

This was the closest I've been to facing death, and I hope it's the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept.

瘝����鈭箸�單香�����喃蝙���鈭���喃��憭拙�����鈭綽��銋���單暑���銝�憭拙�����雿���舀香鈭⊥�舀�������望�������桃����堆��瘝����鈭粹��敺������������航酉摰����嚗������箸香鈭∠陛��游停��舐����賭葉���璉������潭��嚗���舐����質��������慦�隞�嚗����韏啗��鈭箏��嚗�蝯行�啁��隞����銝�蝛粹�������曉�其�������舀�啁��隞�嚗�雿���臭��銋����撠�靘�嚗�雿����銋�������瞍貉�����嚗�鋡恍����箔犖�����������啜����望��雓�敺����暻潭�脣�����嚗�雿���舫����舐��������

No one wants to die, even people who want to go to Heaven don't want to die to get there, and yet, death is the destination we all share. No one has ever escaped it. And that is as it should be, because death is very likely the single best invention of life. It's life's change agent; it clears out the old to make way for the new. right now, the new is you. But someday, not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it's quite true.

雿�������������������嚗����隞乩��閬�瘚芾祥������瘣餃�典�乩犖������瘣餉ㄐ���銝�閬�鋡思縑璇�������嚗���脣��靽⊥��撠望�舀暑��典�乩犖������蝯����鋆∼��銝�閬�霈���乩犖������閬�瘛寞��鈭�雿���批�函��敹���脯��������閬����嚗�������頝���典�批�������渲死������瘞�嚗�雿������批�������渲死憭�撠�撌脩����仿��雿����甇���唾�������箔��暻潭見���鈭箝��隞颱����嗡��鈭���拚�賣�舀活閬�������

Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma, which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice, heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.

��冽��撟渲�����嚗������祉��憟�������隤���怠�� Whole Earth Catalog嚗���嗅僑������敺�餈琿����祇��隤���������臭��雿�雿���券�a��銝�������Menlo Park���Stewart Brand��潸�����嚗�隞�������隤�颲血��敺����閰拇�����������1960撟港誨��急��嚗����鈭粹�餉�西��獢�銝���箇�����瘝���潭��嚗���������批捆��賣�舀��摮�璈������芸��頝����蝡�敺���豢�������箔�����������隤���批捆���暺������啣�函��銝����Google嚗���沁oogle��箇�曆�����35撟游停���鈭�嚗������喳��嚗����皛踵�啣��撌亙�瑁��蟡�憟����閮餉�����Stewart頝�隞������箇����������箔��憟賢嗾���Whole Earth Catalog嚗���嗅����箔����������������嗆�����1970撟港誨銝剜��嚗����甇���臭�������曉�券�����撟湧翩��������������典�����������撠�摨�嚗����撘菜�拇�券�����撠�頝舐����抒��嚗����蝔桐����餌�砍控������蝬�������������撠�頝胯��

When I was young, there was an amazing publication called The Whole Earth Catalogue, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late Sixties, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and Polaroid cameras. it was sort of like Google in paperback form thirty-five years before Google came along. I was idealistic, overflowing with neat tools and great notions. Stewart and his team put out several issues of the The Whole Earth Catalogue, and then when it had run its course, they put out a final issue. It was the mid-Seventies and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous.

��函�抒��銝����銵�撠�摮�嚗����瘙���亥�仿ㄑ嚗����敹���交����������臭�����閬芰��撖思����������亥����荔�����蝮賣�臭誑甇方�芾迂�����嗡�������X平嚗�撅������啁��瘣鳴�����銋�隞交迨���閮曹�����嚗����瘙���亥�仿ㄑ嚗����敹���交�����

Beneath were the words, "Stay hungry, stay foolish." It was their farewell message as they signed off. "Stay hungry, stay foolish." And I have always wished that for myself, and now, as you graduate to begin anew, I wish that for you. Stay hungry, stay foolish.

���撣貉��雓�憭批振���

Thank you all, very much.

Monday, August 22, 2005

What's my force ?

Top Pick of this summer . Hope y'all like it !

"Pimpin' all over the world " Ludacris ft Bobby Valentino

Friday, August 12, 2005

Watts Riots, 40 Years Later

Nine people who were in the midst of the turmoil recall how six days of violence changed lives -- and L.A. itself.By Valerie Reitman and Mitchell Landsberg, Times Staff Writers .The divisions are still there, 40 years later.

To many, the events that began in Watts on Aug. 11, 1965, remain a riot, pure and simple ��� a social breakdown into mob rule and criminality. To others, they were a revolt, a rebellion, an uprising ��� a violent but justified leap into a future of black self-empowerment.

To mark the 40th anniversary of the riots, The Times asked nine people, all of whom witnessed the events firsthand, to recount their memories of six days that changed their lives and the course of the city. They include a rioter, a business owner, a Highway Patrol officer, a National Guardsman, ordinary residents and a newspaper reporter.

The riots that summer were sparked by the arrest of a black motorist, Marquette Frye, for drunk driving. When Frye's mother intervened, a crowd gathered and the arrest became a flashpoint for anger against police. The deeper causes, as documented by the McCone Commission, which investigated the riots, were poverty, inequality, racial discrimination and the passage, in November 1964, of Proposition 14 on the California ballot. That initiative had overturned the Rumford Fair Housing Act, which established equality of opportunity for black home buyers.

After nearly a week of rioting, 34 people, 25 of them black, were dead and more than 1,000 were injured. More than 600 buildings were damaged or destroyed. Thriving business districts, their stores mostly white-owned, were burned to the ground. Eventually, the National Guard put a cordon around a vast region of South Los Angeles that ranged as far east as Alameda Street, as far west as Crenshaw Boulevard, and from just south of the Santa Monica Freeway to about Rosecrans Avenue.

The recollections that follow are repeated as they were spoken. However, in the interests of space and readability, they have been condensed, without the usual ellipses to indicate cuts. In a few cases, they have been reorganized or lightly edited for clarity. Subjects were allowed to review the edited interviews.

If u want to view full article, click the link below.

竄Watts Riots,40 Years Later罈

All sources adapted by Latimes.com

Monday, August 08, 2005

Hit the Plane by Wayne ft Sixthxenz

This song was inspired by a stupid guy who was crazy about a girl; however he cant let the girl feel how much he loves her.That's the story began.I really respect the acoustic way it shows, it gives me the mood to be as same as "A lot like Love".Hey, dude, be yourself !


Add this track to your iPOD ASAP !
Hit The Plane by Wayne ft Sixthxenz

A Lot Like Love ~���閬���暹��




This romantic fantasy plays like an MTV-inspired daydream-come-true as 20-something's Ashton Kutcher and Amanda Peet spend the better part of a decade having flirtatious encounters and one night stands until they chance upon a perfectly obvious Hollywood ending. Anchored by the Rock of the '90s nostalgia of Third Eye Blind's buoyant "Semi-Charmed Life", Smash Mouth (the resilient, '60s psych-pop throwback "Walkin' On the Sun"), Eagle-Eye Cherry's "Save Tonight" and the unlikely jubilance of The Cure's "Mint Car," it���s a soundtrack whose disposition is by turns sunny and bittersweet.
Brighter Than Sunshine by Aqualung

Ray LaMontagne's soulful "Trouble," the spare R&B shadings of Groove Armada's "Hands of Time," and Jet's moping alt.pop give the collection some needed dynamics and resonance, but they aren't much more than passing clouds ready to be split wide by the infectious power pop of Travis' "Know Nothing," Aqualung's savory "Brighter Than Sunshine" and Butch Walker's urgent "Maybe It's Just Me." -
If u leave me now by CHICAGO

Back in the days ,I was insane about Bon Jovi. This scene made me wanna droppin' tears. ha ha .Crazy dramatic set. But I'm highly recommand this film to all my friends. By the way, Emily acted by "Amanda Peet" , just like the same girl i crazy about right now, who loves Rock n Roll, got skills at photograhpy...dammmmm

I'll be there for u by Bon Jovi
That's my favorite song, the good old days, im love them !

The interview with Mr.Kutcher

Friday, August 05, 2005

憭�憭拙停��航��閫���� ��賢末��單��


Slow Down by Bobby Valentino(skit by Sixthxenz )

E22 is the perfect sound in modern world

Straight outta JPN
Empire22 represents an army of visionary artists that have truly overcome the boundaries and confinements of ethnicity, language, and time. We constantly aim to express positive, creative energy through all forms of media in this stagnant dimension. The concept of an empire is simple: an artistic empire that promotes the freedom of expression, and embraces any body and soul that may share our ideals. The 22 numeral and the logo symbolize the duality, balance and symmmetry of this world. In short, E22 is here to leave a mark and your support is appreciated at the deepest level.

peace

Here are the Hot trax:
One Note by Shing02
Black is Beauty Shing02
Shing02

Thursday, August 04, 2005

HBMS �����拇毽���

The Break Down by Jack Johnson ��舐�梁�瑕酋憛����摮豢�⊥�������啁楊��脤�����嚗���梁�嗥��銵�瘚芣�����������撘瑟ㄝ���銝餃�曹誑���瞍�憟�嚗�

Sixthxenz Podcast

Hi Fellas, just posting to my odeo channel.

My Odeo Channel (odeo/fb1bec3043ce34c1)

鞈�閮���梯��撌亙�瑁�� Flickr 霈����蝺�銝�瑼�獢����隞賭葉敹�嚗�


The Digital Photography Weblog ��其��憭拙����箔��蝭������箝��鞈�閮���勗�踵����� Flickr ���������蝡�嚗����霈����隞�蝝嫣��鞈�閮���梯�� (Steganography) ������敺���文��������隞�撠望�������梯��閮���舀��銵�嚗�隞亙��雿����憒�雿���拍�典極��瑁��擃�撠�瑼�獢������� JPEG ������瑼�獢�鋆∩��敺����銝� Flickr嚗�隞仿����唳��獢����隞賜����桃�����

憒����������頞����閰衣��������嚗�擐������典��������敺� Sourceforge 銝�頛�銝���������� Steghide���撠�撌亙�瘀����亥����曆����������������舫�單��瑼�獢�嚗�撠勗�臭誑���憪���脰��瑼�獢���梯�����撌乩�������望�� Flickr ��� Pro 撣唾�����靘�鈭���⊿�����瑼�獢���脣��蝛粹��嚗����隢�銝� Flickr ���雿輻�刻��蝣箏祕��舀����航�賢�� Flickr 頧�霈����銝����撱���寧��銝�瑼�獢����隞賭葉敹����

The Original Source
Steganography with Flickr
Posted Jul 29, 2005, 3:36 PM ET by Keith McDuffee

I���ve recently purchased a Pro account over on Flickr. Since I���m moving to a new place in a few weeks, paranoia has set in over possibly losing all of my digital photos due to a dropped computer, lost backup DVDs and CDs, or simply stolen equipment. What���s great about Flickr is the sorting capabilities and, most importantly, unlimited storage. Surely they must have something in place to avoid taking too much advantage of that unlimitedness? Actually, it seems they don���t.

Steganography is a way of embedding just about any kind of file or data within another ���cover��� file, though not noticably altering the cover file���s content. Usually this embedded content is encrypted with a passphrase of some sort, only extractable via special programs. So should you embed a file within a JPEG image, for example, the casual observer would only see the image and perhaps only notice something odd due to the image���s file size.

I decided to give steganography a try on Flickr���s system, wondering if they somehow sensed altered images and stripped the extra or raised a red flag of some sort. Since I���m primarily a Linux user, I opted for the Steghide utility, though there are several freeware Windows applications available that do the same. Steghide allows you to embed any data within JPEG, BMP, WAV and AU files, encrypting, passwording and compressing the content if you wish.

After installing the program on my Fedora Core 4 system, the procedure was rather simple. I decided to use a nice B&W photo of my dog, Guinness, as the cover file (image links to Flickr location):



Next I picked a basic PDF file as the embedded document. I just picked a PDF job application form from my old school.

$ steghide embed -ef JobApp.pdf -cf guinness.jpg -p testing123 -sf guinness-steg.jpg
embedding ���JobApp.pdf��� in ���guinness.jpg���... done%
writing stego file ���guinness-steg.jpg���... done
$ ls -g
total 3416
-rw-r���r��� 1 admin 1709600 Jul 29 13:39 guinness.jpg
-rw-r���r��� 1 admin 1696487 Jul 29 14:25 guinness-steg.jpg
-rw-r���r��� 1 admin 73255 Jun 30 14:09 JobApp.pdf

As you can see, the compression did a pretty good job ��� the image containing the PDF is actually smaller than the original! Do they look any different? Nope.

Now let���s get some info on the file:

$ steghide info guinness-steg.jpg
���guinness-steg.jpg���:
format: jpeg
capacity: 104.6 KB
Try to get information about embedded data ? (y/n) y
Enter passphrase:
embedded file ���JobApp.pdf���:
size: 71.5 KB
encrypted: rijndael-128, cbc
compressed: yes

And to extract the embeded file:

$ steghide extract -sf guinness-steg.jpg -p testing123 -xf JobApp2.pdf
wrote extracted data to ���JobApp2.pdf���.
[keithm@daedalus]$ ls -g
total 3492
-rw-r���r��� 1 admin 1709600 Jul 29 13:39 guinness.jpg
-rw-r���r��� 1 admin 1696487 Jul 29 14:25 guinness-steg.jpg
-rw-r���r��� 1 admin 73255 Jul 29 14:30
rw-r���r��� 1 admin 73255 Jun 30 14:09 JobApp.pdf

I���ve tested uploading the ���guinness-steg.jpg��� to Flickr and then downloading it again, and the embedded PDF file stays intact. Check it for yourself.

So basically Flickr can be used as a personal off-site backup system for all of your documents, not just images. Steganographied images can be shared with Flickr friends to pass on documents or other files. Honestly, though, I feel Flickr is an amazing service that I���d rather not see abused and lead to limit Pro account sizes. I���d rather see them figure out a way to stop such a thing from being possible or else let it be known such a practice is OK or not in their eyes.

Wednesday, August 03, 2005

Handsome Boy Modeling School~~White People


Welcome to the very handsome world where Dan The Automator and Prince Paul come to get their sonic freak on

by Bucky Dent

(Elektra) Exhibit A: Prince Paul and Dan The Automator. Two of hip-hop���s finest producers, both of whom have built careers from being as eclectic as they wanna be. Which is why critics will lavish this album with praise for its panoramic scope and savvy guest collaborators while its sales numbers will pale in comparison to whatever jewelry-encrusted pap-hop is currently being shoved down your little brothers��� throat on their Clear Channel-controlled outlet of choice. Paul and Dan are well aware that Handsome Boy Modeling School is their own personal funhouse where creativity is the rule and sales are a happy accident. With no inhibitions whatsoever, the results are an eclectic mess that will send purists of all stripes screaming bloody murder. You, of course, will love it.

Opening with a spoken word intro courtesy of classic Saturday Night Live character Father Guido Sarducci (ask your dad), the first proper song ���If It Wasn���t For You��� features De La Soul on vocals and reminds us why we still love Three Feet High and Rising with its happy-faced beat and those voices we know so well.

Nothing else here is nearly as familiar. Single ���The World���s Gone Mad��� finds common ground between guest stars Del The Funky Homosapien, reggae great Barrington Levy and Franz Ferdinand frontman Alex Kapranos over a Gorillaz-worthy beat. Mellow beach-rock hero Jack Johnson brings his sun-bleached melancholy to ���Breakdown,��� while indie rock anti-pin-up queen Cat Power���s ���I���ve Been Thinking��� wouldn���t sound that out of place on her own record. Soon we���re careening through a rock and rap unity lesson that has OGs Jazzy Jay and Grand Wizard Theodore collaborating with Linkin Park���s Mike Shinoda, who brings a break straight outta Meteora. By the time Deftones singer Chino Moreno gets grimy with El-P and Cage (���The Hours���) and John Oates (yes, that Oates) is getting his soft-rock on with UK piano-pop sensation Jamie Cullen, you won���t know what the hell hit you. Appearances by rappers Casual and Black Sheep Dres will sedate woozy hip-hop fans before The Mars Volta show up on ���A Day in The Life��� to deliver the death blow.
Track Listing:

01 . Intro
02 . If It Wasn't for You
03 . Are You Down With It
04 . The World's Gone Mad
05 . Dating Game
06 . Breakdown
07 . It's Like That/I Am Complete
08 . I've Been Thinking
09 . Rock & Roll (Could Never Hip Hop Like This), Pt. 2/Knockers 10 . The Hours
11 . Class System
12 . First... and Then
13 . A Day in the Life/Good Hygiene
14 . Greatest Mistake
15 . Dating Game, Pt. 2
16 . Outro

Monday, August 01, 2005

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